Summer brought with it degree show time of year and also the first Birmingham European Theatre Festival (which I’m pleased to see will be back again this year). Listings started coming out for the HMV Institute too.
The days were getting longer, which was probably just as well for Rhubarb Rhubarb, who seemed to doing loads. Birmingham presented its final bid for the City of Culture and we crossed our fingers. Temper filled the streets with fashion icons. We looked at the trailer for Soulboy and discovered the blog for Reuben Colley Fine Arts.
The Arts Council announced a 0.5% cut in funding to RFO’s. Boo. We found some familiar faces in Synth Eastwood’s video tomfoolery from the Flatpack Festival. Treasured at the MAC looked good.
Bright Space started looking for people to get involved in Platform and I asked ‘Does Birmingham Future interest you?‘ and got a fairly resounding ‘Um, who?’. Theatre folk came together and spoke easy, the newly opened Zellig hosted the Bass Festival’s Fight The Power exhibition and there was talk of verbalising and visualisation.
Creative Republic launched Invisible City and Marketing Birmingham released a new promotional video for the city that featured a host of creative talent.