If you fancy performing then fling an email over to creativejourneys@me.com. I’ve no idea how careers karaoke might work – could be interesting. Also, Tan Matthews might be a name worth watching.

SEARCH ENGINE

Starting next Monday is Grand Union‘s six-week open residency programme, which will run from 21 March – 30 April 2011. Three artist groups have been invited to work in the project space for two weeks each, starting with Manu Luksch & Mukul Patel.

MANU LUKSCH & MUKUL PATEL, Kayak Libre <<free thinking, free transport>>

Thursday 24 March, 6-9 pm: Opening
Artists’ talk at Grand Union, 6.30 pm
Screening of shorts by Manu Luksch at VIVID , 9 pm

Thursday 24 Mar – Sunday 27 March:
WATER TAXI available to book from 19 March.
For booking please contact info@grand-union.org.uk

Saturday 2 April, 12-2 pm: Final open workshop

Behna (Sisters)

This unique and intimate theatre production by Kali Theatre will be performed in the kitchens of Punjabi households across the Black Country from 22 March to 15 April.

It’s the day before a wedding, Ladies’ Sangeet Night, in a Punjabi household. The bride is having her henna done and the guests are busy eating, singing and dancing. But in the kitchen, sibling jealousy simmers alongside the samosas.  Fast-paced, funny and moving, Behna takes a look through the keyhole of a family house to reveal the secrets and lies of two generations of sisters.

For more information and to book tickets, visit The Public’s website.

One, Nineteen

One, Nineteen from local ‘Archers’ writer, Tim Stimpson, is on at The Old Joint Stock Theatre on 18 & 19 March.

19th January: Freak storms bring devastating floods to the English coast, but before the rescue effort arrives, the media are already in town spinning their story. A play about the power of the news, the strength of the government, the question of climate change, and of course, and the search for Sam, Jack and little Chloe…

After premiering in London, it was given a 4 star review from Time Out, so it’s probably worth a watch.

For more info and how to book tickets, visit The Old Joint Stock’s website.

LUNÄ Talks

Ikon and the Lunar Society present this series of evening talks revisiting themes discussed by the original 18th century Lunar Society within a contemporary context.

The next talk is happening on Wednesday 23 March, from 7 – 9pm and focuses on Education. The panel of speakers looks a bit like this:

Felicity Allen: Artist, writer, educator. Former Head of Learning, Tate Britain (2003-10). www.felicityallen.co.uk

Nancy Evans: Education Manager Birmingham Contemporary Music Group, freelance musician and trainer working in early years education

Colin Gale: Head of School of Fashion and Textiles and Course Director for MA Textiles, Fashion & Surface Design, Birmingham Institute of Art and Design

Kate Iles: PhD student, University of Birmingham; Constructing the 18th Century woman; The life and education of Sabrina Sidney

For more information on the future talks, entitled ‘Urban design and regeneration’ and ‘Medicine and science’, visit Ikon’s website.

Tickets cost £10 (£8 concessions), to book call Ikon Shop on 0121 248 0711.

James Cook has joined this cohort with a post titled ‘Why the Birmingham comedy scene repeatedly dies on its hole…‘. His gripes are that (and I apologise for paraphrasing):

• research shows that residents of Birmingham are the most risk averse in the country. We have a drinking culture, but not much of a ‘going out’ culture. This makes things difficult for promoters
• there are too many poor quality comedy night charging people good money to see new, unpaid acts. These nights are rubbish and will put people off ever going to a comedy night again

I don’t claim to know too much about this – I go to the occasional stand-up show, but I don’t have James’s experience of the local comedy scene and he’s not the first to have made this complaint. However, from a lay punter’s point of view, I was under the impression that if comedy’s your thing then Birmingham caters for you pretty well. We’ve got:

• the NIA and LG Arena for the big, mainstream touring shows
• Town Hall and Alexandra Theatre for other biggish touring shows
• two main stand-up venues – The Glee Club and Highlight
• other occasional shows at The Public and the MAC. Warwick Arts Centre and various places in Wolverhampton are fairly close too
• some smaller, regular nights bringing in some decent national names (Comedy Junction and Popcorn Comedy)
• there’s a proliferation of other, smaller nights at pubs and bars around over the city too

In terms of general promotion, we’ve got a dedicated comedy website and (almost?) every year the Birmingham Comedy Festival draws a ring around a load of shows happening over the space of a month and shouts about them.

That seems like a pretty healthy spread to me. Certainly a good deal more than many other towns and cities can claim. Does it constitute a ‘scene’? If not, is it just the audiences for the smaller gigs that are missing, or something else?

I’d be interested in hearing what people think. Or, seeing as how he started the discussion, leave a comment on James’s post.

Arts Council England West Midlands’ Digital Content Development (DCD) Programme is a three year programme of investment which aims to catalyse the creation and creative use of digital content platforms for arts organisations across the West Midlands region

The website went up recently and the map on the homepage shows some of the projects, along with how much money they received. Further information is due on the website at some point, but if you look at the page source then you can glean a little more. On the basis that you probably don’t want to ruin your eyes, here’s what I found:

• Birmingham Repertory Theatre – Towards the development of an online multi-user playwriting resource (£27,884)
• Pesky People – Development of a multiplatform approach to venue access information (£25,000)
• Leamington Spa Art Gallery & Museum – PostCart: creative digital access of art gallery and museum collections (£24,750)
• Library of Birmingham – Development of an Alternate Reality Game for young people (£23,750)
• Talking Birds Theatre Company – Development of The Difference Engine – a multiplatform real time access tool. Some mention of it here (£1,500 + £20,860)
• The Play House – Develop an online resource to match the company’s participatory ethos (£22,349)
• Eastside Projects and Birmingham City University – Piloting a 3D online art gallery (£22,000)
• The MAC – Playground: exploring the use of digital technologies in a new-built art centre (£20,500)
• Royal Shakespeare Company – Creation of a new digital arena for the creativity of the RSC. Pretty sure this was Such Tweet Sorrow (£20,000)
• Audiences Central – To develop a web platform and plug-in for cross regional arts marketing (£18,000)
• B Arts – Development of a new form of arts centre/collaboration (£17,380)
• Rhubarb Rhubarb – To create an online evaluation tool (£17,000)
• Shropshire County Council – Citizen Journalism (£15,612)
• Rideout – To explore the production of creative digital content engaging youth crime statistics (£15,000)
• Radio To Go – A collaboration with the British Library to pilot an online music archive. Called The Pilot Project (£13,750)
• Rosie Kay Dance Company – To create an online version of the touring production, 5 Soldiers (£12,500)
• Indigo Ltd – The development of a pilot online platform exploring new forms of crowd-source fundraising in the arts (launching soon and called Angel Shares) (£11,750)
• Wolverhampton Arts & Museums / Black Country Museums – Research and Development of a collaborative online resource for the Black Country Museums (£10,550)
• Black Country Touring – Exploration of enhancing a site specific, theatrical experience through live streaming (£10,348)
• Multistory – To create a new media platform for celebrating local stories as part of place-making (£10,235)
• Fierce Festival – Towards a Viral Online research game (£8,253)
• Birmingham Opera – Exploring new models of ownership and sales of published works (£6,737)
• Borderlines Film Festival Ltd – Experimenting with mScapes technologies (£5,600)
• Orchestra of the Swan – Research and development towards a strategic plan (£5,000)
• Capsule – To support digitally enhanced new marketing and distribution opportunities (£4,880)
• Welsh National Opera – research and development of phase one of iMaestro. To allow Welsh National Opera to research digital copyright law and the possibility of exploiting full-length opera samples under the Creative Commons license (info about that here) (£4,600)
• Ikon Gallery – Towards the development of a social media project (£3,500)
• The Other Way Works – Professional development around Augmented Reality and Transmedia (£2,575)
• Ex Cathedra – Market development, engaging an online music aggregator (£1,323)
• Dance Consortium – Exploring social media in relation to contemporary dance marketing (£1,000)
• MADE – To explore the use of digital platforms in placing making (£1,000)

As well as these projects, the programme supported a range of other activities including workshops, innovation labs and other events.

I’ve heard of one or two of these projects, but the vast majority are new to me so it’ll be interesting to hear a little more. I should probably also add that I’m involved in the Rosie Kay Dance Company project – that’ll launch next week so I’ll blab a bit more about it then.

The Public are hosting two open exhibitions in 2011, and have pushed back the deadline for submissions to Friday 31 December 2010.

TOUCHINTERACTIVE 2011 is to be the UK’s first open exhibition specifically for digital interactive artwork, and SCREENING 2011 will offer film and video artists a chance to exhibit work.

Both exhibitions are free to enter and are open internationally to both early career and professional interactive, film and video artists, although priority will be given to those around the West Midlands or at early stages in their career.

Selected applicants will be exhibited in Febuary 2011. For more information and how to download the application form, see The Public’s website.

The Disability Film Festival Day takes place on 3 December, at various venues arcoss the country, including  The Public, mac and Light House.

The festival will be packed full of international shorts, a selection of films from Oska Bright, themed discussions and archived films, in the UK’s first celebration of disability and film.

The Public and mac will also be screening the BBC’s feature length film ‘Raspberry Ripple’, while Light House will be hosting a directors workshop in association with Film Nation.

Entry to all events is free. For more information on events and screenings, take a look at the full rundown over at the list of venues.

Multistory in association with The Public present Martin Parr’s unique look at life in the Black Country. After spending a year documenting modern day society and culture, The Public are preparing to unveil this collection of over 750 photographs.

Parr’s process of documenting and recording is fuelled by his passion and a curiosity, taking inspiration from his surroundings.  His intimate approach, photographing his subjects in their own environment, gives him space to explore their lives and values in ways that often involve inadvertent humour.

Running alongside this will be an exhibition of photographs by students and staff of Sandwell College Photography Department. ‘Show Me A Secret’ will explore and display their own interpretations of Black Country life following Martin Parr’s mentoring.

Both exhibitions run from Thursday 11 November 2010 to Sunday 23 January 2011; opening daily, 10am – 6pm, and have free entry.