James Cook has joined this cohort with a post titled ‘Why the Birmingham comedy scene repeatedly dies on its hole…‘. His gripes are that (and I apologise for paraphrasing):

• research shows that residents of Birmingham are the most risk averse in the country. We have a drinking culture, but not much of a ‘going out’ culture. This makes things difficult for promoters
• there are too many poor quality comedy night charging people good money to see new, unpaid acts. These nights are rubbish and will put people off ever going to a comedy night again

I don’t claim to know too much about this – I go to the occasional stand-up show, but I don’t have James’s experience of the local comedy scene and he’s not the first to have made this complaint. However, from a lay punter’s point of view, I was under the impression that if comedy’s your thing then Birmingham caters for you pretty well. We’ve got:

• the NIA and LG Arena for the big, mainstream touring shows
• Town Hall and Alexandra Theatre for other biggish touring shows
• two main stand-up venues – The Glee Club and Highlight
• other occasional shows at The Public and the MAC. Warwick Arts Centre and various places in Wolverhampton are fairly close too
• some smaller, regular nights bringing in some decent national names (Comedy Junction and Popcorn Comedy)
• there’s a proliferation of other, smaller nights at pubs and bars around over the city too

In terms of general promotion, we’ve got a dedicated comedy website and (almost?) every year the Birmingham Comedy Festival draws a ring around a load of shows happening over the space of a month and shouts about them.

That seems like a pretty healthy spread to me. Certainly a good deal more than many other towns and cities can claim. Does it constitute a ‘scene’? If not, is it just the audiences for the smaller gigs that are missing, or something else?

I’d be interested in hearing what people think. Or, seeing as how he started the discussion, leave a comment on James’s post.

Hold it Down Productions have launched an attempt to break a world record for the largest orchestra. Together with conductor Charles Hazlewood and composer Tom Basset, the Worlds Largest Orchestra will play at the LG Arena on 24 October in aid of Marie Curie Cancer Care.

At 12 minutes long, the piece entitled “Dawn to Dusk”, is one of the largest orchestrated pieces in history. The aim is to gather 7,000 musicians of all standards, involving all instruments, in order to break the current record which sits with over 6,000 musicians, set in May 2000 by the Vancouver Symphony Orchestra.

If you’d like to be involved in this ridiculously huge event, take a look around their website for further information and register yourself as part of the orchestra.

Cheers to Richard Hawley for flagging this up.