‘Flatpack Festival has become one of the cultural highlights of the West Midlands’ calendar year” said the Birmingham Post last week, in an interview with Flatpack founder Ian Francis.

• The Birmingham Central Library demolition had the official go ahead yesterday, doesn’t come a surprise – but disappointing nonetheless for fans of the brute. BBC news via keeptheziggurat
• Once upon a time there was Birmingham: It’s Not Shit. Paradise Circus: A Birmingham Miscellany
• LynTyler, Love is a corset exhibition at Urban Coffee Company
• Competition to design Birmingham pavilion
• Turning Point West Midlands Free Business Development sessions for artists
• Small Change Fund and how to apply Barrow Cadbury Trust
• Walsall Fashion Week is a charity fundraiser taking place in January, organised by students at Walsall College and a staff member of the Students Union.

A few things Flatpack:

• Some photos of Flatpack’s Silent Night event last Friday, taken by @jassansi
• First Light have partnered with Flatpack Festival and Creative Skillset to offer a 4 day residential course that will provide participants with a thorough understanding of the changing film finance landscape
• Flatpack launched a kickstarter to fund their festival hub ‘palais’ for next year (we wrote a little something about Flatpack’s Kickstarter this morning)

Because nothing says ‘I went to a thing’ quite like a blurry photo. The chap on stage is very probably Stuart Griffiths, Hippodrome Chief Exec and Co-Artistic Director of International Dance Festival Birmingham, announcing the launch of that very same festival.

There’s plenty of good stuff on over the next little while. There’s the free Breathe the Beat roadshow at the Bullring today with contemporary dance legend Louise Lecavalier in this evening.

Also tonight is the last night of Un Peu De Tendresse Bordel de Merde at Warwick Arts Centre – a show that’s had a lot of people talking and was the reason this guy was wandering around wearing nothing but a sandwich board the other day.

There’s a load of dance films being shown around town, curated by Flatpack (a nice little partnership, I thought). Birmingham Royal Ballet are doing a Three Short Works at the Crescent Theatre later in the week and next weekend there’s a whole load of family events going on.

There’s more too. Here’s the full line-up.

Yesterday morning I headed over to Birmingham Museum and Art Gallery, for a visit unlike any other. I wasn’t quite sure what to expect from Symphony of a Missing Room by Lundahl & Seitl, feeling slightly apprehensive as I was given a pair of wireless headphones, blindfolded and led cautiously around the museum by sounds, voices and a mysterious hand. The whole experience was what I can only describe as dream like, and had me leaving feeling like I’d been awoken from a deep, disorienting sleep.

So far it’s been receiving plenty of rave reviews on Twitter, who all seem to be able to put the experience into words so much better than I can. If you want to check it out for yourself, book via the Fierce website, it’s definitely one to give a go.

Last night also saw the launch of both Flatpack and Fierce, at VIVID, which has been transformed into The Dirty End. Along with live music from Juneau Projects, they had a few tasty treats and cocktails on offer which will apparently be sticking around for most of the festival.

The Vintage Mobile Cinema had it’s first Flatpack outing this afternoon in Victoria Square, where it gathered quite a few admirers. The 22 seater restored mobile cinema, originally toured British factories from 1967, promoting modern production methods. As one of only seven made, this gem is the last standing after being brought back to life to tour the country once again.

With it’s cosy little interior, complete with red cinema seats, it feels rather like a mini Electric. I was also treated to a clip of Buster Keaton’s silent film Sherlock Junior (1924), which is being screening tomorrow night at the Town Hall, accompanied by live organ and piano.

If you fancy hopping aboard, the vintage mobile cinema will be at Handsworth Library on Thursday, Birmingham Markets on Saturday, and Cannon Hill Park on Sunday. Take a look at whats on across the weekend over on the Flatpack site.

I’ll try and update this post with other Flatpack & Fierce adventures, but in the meantime let us know which events you’ve made it to and what should be on our ‘must see’ lists.

Birmingham Royal Ballet and mac managed to raise a decent amount of money through The Big Arts Give, while Moseley Folk and OxjamBrum ended the year with a Christmas Ceilidh and Flatpack released a few highlights set for their 2011 festival.

We also featured a few independently made Christmas cards by local designers, took a look at what can be expected from the new Library of Birmingham interior and the much anticipated budget for Birmingham art organisations was announced by Birmingham City Council.

As the year drew to a close, Rhubarb Radio made a plea for help, the 2010 Twitpanto production of Jack and the Beanstalk took place and we took a look at what Birmingham’s creative minds had come up with for the festive season.

Christmas Day television treated us to Birmingham Royal Ballet, with a prime Christmas dinner slot on BBC1, while Birmingham Opera Company also made it onto BBC4 for post dinner relaxation.

Some great news from the peeps at 7 Inch Cinema landed on the virtual doormat today.  The Flatpack Festival is the worthy recipient of funding for the next three years, securing it’s future and allowing the organisers to maybe think a little bigger.

Peter Buckingham from the UK Film Council (who are providing the funding) said of Flatpack:

Their innovative approach to screening films in churches, warehouses and shopping centres as well as cinemas and gallery spaces is a brilliant idea because it helps to attract new audiences to some great short films, animation and live film events

Flatpack 3 will take place in Feb 2009 and will launch “with a tribute to Birmingham’s pioneering film showman Waller Jeffs“.

DeafFest at Wolverhampton Light House have also received funding so well done to them too.

Last word goes to the understandably chuffed Flatpack producers:

without going all Oscar-night about it, it wouldn’t have been possible without all the filmmakers, volunteers, artists, promoters, technicians, funders, venues and enthusiastic punters who have chipped in to help us get this far. So thanks a lot, and here’s to Flatpack III in February 2009 and beyond…