Digbeth v the JQ (via @EleanorWi)

Ooh, good one – the battle of the so called ‘creative quarters’ – this could be fun. I’ve just moved from working in Digbeth to working in the Jewellery Quarter and Eleanor knows this, hence the request. FIGHT!

I shall now go on to disappoint with a bland appraisal of the two taken from my own point of view. Your experiences of the places may vary.

I’m enjoying the Jewellery Quarter. It’s nearer my house so cycling in is easier, there are useful amenities (there’s no need to get excited about cash machines around these parts) and there are some decent enough places to grab a drink after work.

The nightlife thing’s interesting. I’ve never been keen on St Paul’s Square as a place to go out but, with UAB book-ending things (with The Red Lion at one end, The Lord Cliffden at the other) and places like Vertu, The Vaults, The Drop Forge and soon The Rose Villa Tavern in between, I reckon we could start to see more people around here of a weekend. There are restaurants here too.

As for the creativity/arts/culture angle, there’s a bigger emphasis on heritage over this side of town, while a a lot of the current activity feels hidden away and goes on behind closed studio and workshop doors. Other than AE Harris (which I love) there isn’t much by way of a decent venue – there’s The Asylum and The Blue Orange Theatre but neither currently has a schedule of events that grabs me. Also, everything over this side of town seems quite managed and smoothly polished (which isn’t necessarily praise but is definitely a contrast).

Digbeth is rougher round the edges but it wears its distinctiveness quite proudly on its sleeve. It’s more performative. It feels like the art and creativity spills out of Eastside Projects, Grand Union, Vivid, Boxxed, Fazeley Studios and onto the streets. It’s a place for music and visual arts to tumble towards. If you want a night out and you like your music then Digbeth, with the Institute, Air, Space 2, The Rainbow, Irish Centre, Adam & Eve and others, can’t be beat.

Space must be cheaper there. That brings in the artist collectives, the gallery spaces and the graduates looking for their first studio space. It’s a shame a shame the developers have made such a mess of the place over the past few years though – too many decent places bulldozed leaving large swathes of cleared, fenced off land.

For a while, the Custard Factory drifted into becoming a nightclub which I’m not sure was a good idea, but maybe that was a result of trying to pack lots of activity into a fairly small area. It seems to be moving away from that again. Besides, Digbeth is sprawling away from the Custard Factory these days and that’s no bad thing.

Both sides of town suffer from a bit of a visibility problem – directing people to either from the city centre is no easy task.

So, to ramble to a conclusion – horses for courses, innit.

Comedy in Birmingham (via @RosieHighlight)

I’m going to duck this one slightly and refer back to the post I wrote a few months back about comedy in Birmingham. Although I’ve asked Ian and he’s reminded me about the Fat Penguin, Cheeky Monkey and Laughing Cows nights in Kings Heath/Moseley that are often overlooked. I’m not sure I mentioned The Drum as another venue for that sort of thing either.

The upshot of that previous conversation was that there’s a reasonable amount of stuff going on although we’re not quite world-beaters, there could be more and it could do with being more visible. Couldn’t that apply to pretty much anything we do here?

Burning Ham (via @LouisHudson)

Louis is presumably referring to EXYZT’s contribution to this year’s Fierce Festival. I wasn’t around Birmingham when most of the events were going on down there and this round-up made me a bit regretful of that. It’s good to see that they’ll be back to work on a new site for the next festival.

Bunnies (via @Ravonski)

With the whole arts funding situation having settled down somewhat and no more cuts looming in the immediate future, I haven’t had much cause to lighten a gloomy post by finishing with a picture of a bunny.

That said, I expect there’s still bad news to come as the effect of the earlier cuts comes to be felt. There’ll be a few more leaving parties, closed signs, permanently-out-of-office messages and euphemistic talk of ‘transitioning’.

So on that downbeat note, cue bunnies:

(Photo by captainsubtle)

Paste artist, Lisk, rising star of the local scene and famed for his robots scattered across the city will compose a large scale paste of his robots finally completing their invasion of the city.

There’s more to come from EXYZT’s Burningham (part of this year’s Fierce Festival) with a few more events, 19-21 April.

It’s festivals a gogo with the Fierce and Flatpack festivals kicking off today with a whole load of interesting stuff coming to Birmingham between now and Sunday.

You’ll no doubt have done the decent thing and booked up a load of tickets for both of these already but, if not, there should still be time. I’ve had a nosey through the programmes and reckon that I’ll be going to the following:

Tuesday:

• Fierce/Flatpack launch at VIVID
• The Irrepressibles at Town Hall

Wednesday:

• Shadow Shows at the Patrick Centre

Thursday:

• Shorts on Walls at VIVID
• Too Much Information at The Electric

Friday

• Nesst 2
• Queerfest to Fierce at VIVID
• Los Angeles Plays Itself at Ikon Eastside

Installations and ongoing things that I’ll try to catch when I can:

• Burningham
• The Commentators
• The Soldiers’ Song
• Prayer

All subject to having to work to do and so on. Plus I’m not around this weekend, which is a shame because there’s some ace stuff happening.

What are you going to be going to?