Brilliantly Birmingham kicked off together with the fifth annual FLUX exhibition, Aedas Presents launched a new monthly art programme and Art of Ideas finally arrived with a host of associated events running over four days.

The We Are Birmingham Shop opened its doors with a drinks reception, Chris gave a debrief of the Arts Council briefing on funding and the West Midlands creative jobs board, Jobplot, returned with a fresh makeover.

November also saw the launch of The Pilot Project, Jennifer Tee’s exhibition, Memento Park opened at Eastside Projects, and Chris attended the wedding of the year.

Lucy McLauchlan returned with her paintbrushes to add something a little interesting to the Moseley Road hoardings, while VIVID launched their latest project, Language, and as December approached, the Christmas fairs sprung into action.

As winter kicked in, we bid a Blonde Farewell to Ikon Eastside, got crafty with Craftspace, said hello to Creative Central and looked ahead to Flatpack and Fierce’s joint 2011 venture.

Art of Ideas kicks off towards the end of this week, the four day event will celebrate the cultural life of Birmingham, with a series of talks, exhibitions and related events held at various galleries and institutions around Birmingham.

We’ve already mentioned a few of the associated events such as The Witching Hour and In Conversation with Brian Griffin and Stuart Whipps, so here are some of the other highlights…

12 November: Grand Union Event,
7.30pm – late

Launching the new Grand Union Editions, patrons scheme, plus an artists talk will be given by Jamie Shovlin on his current exhibition, Hiker Meat, along with Mike Harte and Euan Rodger.

Places must be booked, so e-mail Grand Union to reserve your spot.

12 November: What is an art collector?
6.30 – 8.30pm at Ikon

13 November: The Future of Public Collections, Collecting and Spending £1m.
6.30 – 8.30pm at Ikon

13 November: In conversation with… Paul Hedge (Director of Hales Gallery, London)
3 – 5pm, New Art Gallery Walsall (free event, no booking required).

14 November: Brokerage, Endorsement and Representation.
3 – 5pm at the Lecture Theatre, BIAD, Margaret Street

Unless stated otherwise, e-mail or call 0121 248 1200 to book your place for these events.

Artists Clinics

Art of Ideas have also teamed up with Business Link West Midlands to deliver a series of development workshops aimed at new and emerging artists. They will look at how artists can increase their income through alternative routes to market.

mac: 12 November, 11am – 1pm
Wolverhampton Art Gallery: 18 November, 10am – noon
mac: 19 November, 11am – 1pm

Places for this must be booked, e-mail or call 0845 113 1234. Places are limited.

Art of Ideas is a group exhibition curated by Matthew Collings and Matt Price, entitled ‘The Witching Hour’, which will be taking place in the Birmingham Museum & Art Gallery’s Waterhall Gallery from 11 – 14 November.

The four day exhibition will explore darkness and the uncanny, featuring photography, painting, sculpture, printmaking, film and animation, from over 20 artists based in or hailing from the West Midlands.

The Art of Ideas publication is designed to encourage more people to start collecting contemporary art in the city and region. With its supernatural theme, The Witching Hour exhibition offers an opportunity for people who are interested in collecting art – whether individuals, businesses or arts institutions – to see and acquire works by leading and emerging artists from the West Midlands.

– Matt Price

Exhibiting artists include both internationally renowned names along with emerging talent, including: Hurvin Anderson, Richard Billingham, Graham Chorlton, Faye Claridge, Ravi Deepres, Tessa Farmer, Brian Griffin, Roger Hiorns, Harminder Singh Judge, Chris Keenan, Idris Khan, Karin Kihlberg / Reuben Henry, David Miller, Sally Payen, Juneau Projects, Ged Quinn, David Rowan, Liz Rowe, George Shaw, Toby de Silva, Gillian Wearing and Stuart Whipps.

]]> http://www.createdinbirmingham.com/2009/11/13/links-for-13-november-2009/ Fri, 13 Nov 2009 18:40:10 +0000 http://www.createdinbirmingham.com/?p=4214 [Read more...]]]>

So, in chronological order…

At the end of June this year, Terry Grimley revealed that a feasibility study was being undertaken into developing such a museum. The Arts Council and AWM had each chucked in £90k and the city council have apparently also contributed £200k ‘to enable Ikon to mount a programme of high-profile events in Eastside as a test bed’.

The idea for this was first mooted in 2006, around the time Ikon Eastside was first opened. Unfortunately I can’t find Terry Grimley’s article from back then.

Coun Martin Mullaney was quoted saying:

I’m keen to support this. We want it to be on a par with Tate Modern and the Guggenheim in Bilbao

and suggesting the site of the wholesale markets as the location. The Birmingham Central blog picked up on this, adding:

With the Wholesale Markets moving and a large space being created it would offer a central focal point to attract visitors to the Southside area and build on the creativity of Digbeth.

The idea was discussed by a panel at The Art of Ideas II – A New Museum for the 21st Century on 8 July, but I’ve no idea what was said. Does anyone know if there was a recording?

A few weeks later, The Guardian’s Matt Price asked ‘Does England really need another contemporary art museum?‘ He put some bones on the proposal:

From the public discussion earlier this month, it was clear that Watkins (Jonathan Watkins, director of Ikon, and the person leading the proposal) is thinking big: he wants vast spaces capable of presenting large-scale sculptures and installations, with an acquisitions policy aiming to collect the most celebrated artists currently working around the world

He also pointed out some of the rationale behind the project – that many towns:

don’t actually own much of the art they show; public collections of contemporary art around England simply aren’t as good as they should be. Arts Council England acknowledged this in a 2006 report, bluntly asserting that “regional collections in England do not represent the visual art of our time”

Providing some balance, he goes on to point out that many West Mids museums have good, specialist collections of contemporary art and that developing these might be worthwhile (not to mention cheaper). However, the conclusion to the article, and so Matt’s answer to the question, is ‘yes, it could be really good if it works’. Well, yes…

Curator and writer, Charlie Levine, chipped in with an article ‘Tricky: A new museum for Birmingham?‘. Although initially convinced by the arguments espoused at the Art of Ideas II, she sounded a few cautious notes and wondered whether it would not be better to invest in and support local, emerging artists ‘to create a successful and supportive art economy’.

Which leads us to the item that sparked this post – a news piece on the Arts Council website proclaiming that ‘Our chair welcomes plans for Birmingham contemporary art museum‘.

Arts Council chair Liz Forgan, at Ikon’s annual dinner this week, said:

It is truly ambitious. I know that it is early days, and the feasibility study is only just being developed. But Birmingham needs the visual arts to flourish in the city; it needs to realise its aspirations for the visual arts that it has already achieved in other art forms. People may say that it’s not an auspicious time to raise funds for such an ambitious project. But I say ambition is good!

We at the Arts Council support ambition and excellence and we will do our utmost to support you in this endeavour. Of course I can’t make any commitments, and I am sure you wouldn’t expect me to – not here, not tonight anyway! But I do want to say that we have supported you, we are supporting you and now we are keen to try to apply some of the innovation we have talked about tonight to find new ways of supporting you.

Although she also made some odd claims about Ikon’s existence halting the proliferation of lap dancing clubs in the city. You can download Liz Forgan’s speech here.

So where does that leave us? Well, the feasability study’s yet to be completed and there’s been very little mention of the cost of the thing so far, which must be a big issue at the moment. There seems to be a lot of intial support for the idea though, so I guess we wait and see what that report says.